August 2, 2011
Update - It only took forty years...

They're here! Thanks to the folks at Zen Records, the Sky LPs have been remastered and released on CD, and downloads on iTunes, Amazon and the like. I worked hard on "remastering" from my vinyl copies, and spent hours retouching the cover artwork. Well, these guys did it better.

The new CDs are excellent. The audio is top-notch, and there are bonus songs. The artwork is perfect, both album front and back covers and extra Sky posters on the inside.

You can give the songs a listen here, but if you want to own them, you should put these CDs in your library. Like lots of other good things, they may only be available for a while.



February 14, 2010
R.I.P. Doug Fieger

Biography

Doug Fieger is best known as lead singer of The Knack and co-writer with guitarist Barton Averre of that groups summer of '79 #1 smash and perrenial favorite, "My Sharona." His colorful and storied career goes beyond that hit recording and the band that spawned it to reveal a dizzying array of escapades in the music industry dating back to when he was a young teen as well as a more serious side including production work and/or interactions with Was Not Was, Ringo Starr, Roy Orbison and other artists.

Doug was three or four when he saw his first movie and from that moment on the stage was his goal, his major influence being, strangely enough, Danny Kaye. At the age of twelve he acted professionally and began staging Edward Albee plays while a teenager. The idea for young Fieger was not necessarily just be a singer or musician, it was to be an entertainer. He describes his parents as "fairly flamboyant", his father was a very successful labor lawyer, his mom a union organizer who put together the first teacher's strike in the United States. "...so we come by our theatricality naturally" he told the All Media Guide. When Doug Fieger says "we" he means his siblings as well, his sister Beth Fieger-Falkenstein writes for TV and movies, the two episodes of Mad About You with Yoko Ono at the piano coming from her pen, while brother Geoffrey Fieger is a high profile attorney.

Around February 1964 he picked up the guitar at age 11 and began jamming with John Coury, though he was playing piano and trumpet before that. At 13 years of age he and Coury formed the group Sky, the band being managed by the owner of the Grande Ballroom (pronounced Grand-dee) in Detroit. They made a demo and mailed it to Peter Townshend since Doug had met him and got the contact from their manager. The Who guitarist received the demo tape but it wasn't until The Knack were emerging in 1978 that Townshend acknowledged he listened to the songs on the tape many times, singing one of them to a stunned Fieger on the phone all those years later. With no word from Townshend at the time it was the connection with Traffic which led to the groups recordings with the legendary producer for The Rolling Stones, the late Jimmy Miller. The teenagers in Sky made a list of producers and at top of the list was George Martin and Jimmy Miller. Miller was producing Traffic and had just started producing the single "Jumpin' Jack Flash" and the album Beggars Banquet for The Rolling Stones. The other names on the list of potential Sky producers included Shel Talmy and Pete Townshend.

Doug Fieger went to a party at Sky's manager's house and Traffic were there. Dave Mason was also there at that time, though he would come and go in that band. Mason gave Fieger the address of Jimmy Miller since Sky opened Traffic shows a number of times. Young Doug wrote to Miller "you can ask Stevie Winwood about us, and if you're ever in Detroit...." and Jimmy Miller answered the letter, calling Fieger by phone, expressing interest in wanting to see the Motown studios. And he did. The band took him to Motown studios and brought him back to the Fieger house where they sat around Doug's parents ping pong table in the basement hearing the Sky repertoire. The next morning Miller signed the group to a recording contract.

After Doug graduated from high school Miller took Sky over to London and they recorded their first album at Olympic Studios next door to The Stones recording Sticky Fingers. Sky recorded their second album at Mick Jagger's house using the Stones mobile truck, their old friends in The Who recording "Won't Get Fooled Again" with that truck earlier in the day. London was amazing for the young Doug Fieger who went there after graduation. The band hung out with the likes of Jeff Beck, Chris Wood, one of their producers Gary Wright, Andy Johns, Bobby Keyes, Jim Price, The Plastic Ono Band's Alan White and so many others. Sky moved to Los Angeles at the suggestion of Jimmy Miller and eventually broke up due to youth and management hassles.

In 1971 Doug met Bruce Gary, the first drummer of The Knack with Berton Averre hooking up with them in 1973 on guitar. Doug decided to put a band together and go out and play live and a showcase gig for a management company led to the creation of The Knack. They began packing clubs, notables like Ray Manzarek, Bruce Springsteen, Stephen Stills, Eddie Money, Tom Petty and others showing up to jam with them in concert. Looking for an original song to replace Buddy Holly's "Not Fade Away" they created "My Sharona" and the rest is history.

Doug Fieger likes to build cars and race them, produce other acts in his analog recording studio in his house "The kind of equipment we would've made Sky records on," and is busy with The Knack who reunited for a benefit for the late Shel Myer, the first person to book the band. They decided they liked performing together after the benefit concert and continue to write, record and perform with the voice of Doug Fieger and his songs steering the ship.
~ Joe Viglione, All Music Guide


Sky made two albums, LPs released on RCA in the early 70's. According to Last.FM, there are eight different bands named Sky. Most searches will take you to the English group which featured Curved Air's Francis Monkman. That's not who we're talking about here.

The first album, Don't Hold Back, was produced by Gary Wright and Andy Johns, features Chris Wood (from Traffic) and Jim Price and Bobby Keys.

The second album, Sailor's Delight, is reviewed here, from Last.FM:

Sailors Delight, the second album by the Knack’s Doug Fieger was produced by Jimmy Miller with Andy Johns, eight years before producer Mike Chapman would unleash 'My Sharona' on the world. Fieger’s 'Don’t Want Nobody' has all the elements that Miller put into his Stones hits and Traffic classic album cuts — piano and flute supplement the folk guitar and vocal, giving the singer an enviable platform. The album is a solid representation of Fieger’s song compositions and pre-Knack efforts; 'Let It Lie Low' is a nice bit of pop/rock that foretells what was to come, a happy-go-lucky drumbeat by Robby Stawinski exploding when the Rolling Stones’ horn section of Bobby Keys and Jim Price kicks in.

Young Fieger’s letter to producer Miller not only landed him the two albums on RCA, it enabled the group to get the great players here, like guitarist John Uribe and the Stones’ pianist Ian Stewart, continuing the tradition of the stellar guests who showed up for Sky’s first album. 'Taking the Long Way Home' definitely sounds like an American version of Traffic, with conga drums that help the transition from this song to the piano ballad 'Come Back.' Again, the Stones’ horns come in to add a touch of class, creating a nice bed for the powerful song-title chorus to emphasize Feiger’s slinky vocal. This track is outstanding, and should have been a staple on 1971 FM radio. (Editor's note: It WAS a staple on my station in 1971, KBEY in Kansas City. I wouldn't be surprised if half the airplay these LPs received nationally was in Kansas City.)

Miller was quite busy in the early ’70s with Locomotiv GT, the Savage Rose, the Rolling Stones, Delaney & Bonnie, George Harrison, and Ginger Baker’s Air Force, among others. Sailor’s Delight, with its beautiful red sunrise/sunset cover, is a lost gem from the major producer at the peak of his powers as well as from his discovery Fieger, who went on to create the hit of the summer of 1979, 'My Sharona.' Inside these grooves are melodies and performances that verify Miller’s genius; 'Tooly' has an island feel while John Coury’s 'Sing for Me' comes off like the serious side of Tommy James. 'Sing for Me,' 'Come Back,' and 'Low Down' from this disc would be perfect Sky contributions for the inevitable Jimmy Miller production box set.

As entertaining as it is historical, Sailor’s Delight is creative work from the master producer and the musicians he believed in enough to sign. How many 'name' producers on a hot streak would gamble on an unknown singer, with validation coming years later as the singer went on to worldwide fame?


Unfortunately, the LPs are very hard to find, and the albums have never been released on CD. If you want one, you'll have to make your own. Here's everything you need:

Both of the LPs will fit on one CD. Here's a label for the CD, with restored cover artwork. Print the document on 8.5 x 14 inch (legal) paper, then cut out and fold. Artwork includes a background for under the CD for jewel cases with a clear insert. If you use a solid insert case, you can cut the blue sky page off before installing.

Finished case will look like this; here's the artwork to print:
Sky jewel case insert labels.pdf

Songs:

01 Goodie Two Shoes.mp3
02 Take Off And Fly.mp3
03 Rockin' Me Yet.mp3
04 I Still Do.mp3
05 Make It In Time.mp3
06 One Love.mp3
07 There In The Greenbriar.mp3
08 How's That Treating Your Mouth Babe.mp3
09 Homin' Ground.mp3
10 Feels Like 1000 Years.mp3
11 Make It Tight.mp3
12 Don't Want Nobody.mp3
13 Let It Lie Low.mp3
14 Taking The Long Way Home.mp3
15 Come Back.mp3
16 Bring It On Back.mp3
17 Tooly.mp3
18 Sing For Me.mp3
19 Low Down.mp3



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